Most of the book is about identity, work and love in the twenties. One chapter is why it appears in Management Craft.
- The people who change your situation are mostly the ones you barely know. Jay retells Mark Granovetter’s Boston study: “more than three-quarters of new jobs had come from leads from contacts who were seen only ‘occasionally’ or ‘rarely’” [1]. Her definition is broad and worth holding onto — weak ties are “people we have met—or are connected to somehow—but do not currently know well” [1].
- Your close circle is the supportive one, not the useful one. “While the urban tribe may be the most supportive figures in our twenties, they are not the most transformative” [1]. Support and reach are different goods, and people reliably confuse them.
- The Ben Franklin effect, stated plainly: “when we do something nice for someone we tend to like that person even more afterward—and this may lead to another favor down the line” [1].
- Jay’s contribution is the question underneath it. “How did Franklin get that first favor? Why would a person I don’t know well—a weak tie, that is—help me in the first place?” [1] The effect is usually cited for the second favour; the first one is the part you have to engineer.
- The engineering is specificity. Franklin “presented himself as a serious person with a need that matched what the man had to offer. He made himself interesting. He made himself relevant. And he asked for a clearly defined and easily deliverable favor: the use of a book” [1]. The failure mode is the opposite: Jay notes Franklin knew a vague overture “would seem dangerously vague to a busy professional” [1], and gives the modern form — an email whose subject line is “Coffee???” She followed her own account. “I didn’t ask my colleague how to write a book proposal; I asked if I could take a look at hers” [1]. The small, bounded, answerable ask is the whole technique.